La Troupe in Revista Central: Latin American Design and Summer 2026

In May 2026, Revista Central included La Troupe in a selection of Mexican and Latin American labels connected to summer design and more conscious practices. The mention belongs to a later stage in the brand’s history, after years that had already included Tulum, Mexico Fashion Week and new international platforms.

Revista Central’s selection

The article published by Revista Central on May 20, 2026 presented a group of proposals around Latin American design.

Within that context, Revista Central described La Troupe through the fusion of Mexican textile art, weaving, embroidery, fashion and design. That reading aligns with an idea the brand now communicates more precisely: craft is not an ornament added at the end, but part of the structure of the piece.

A continuity of language

It is useful to compare this mention with earlier coverage. In 2017, Glamour had already noticed embroidery and handwork within La Troupe. In 2020, Grazia and La Prensa again pointed to weaving, embroidery, limited production and the relationship with the Mexican Caribbean. In 2026, Revista Central continued to read the brand through the connection between design and textile art.

That continuity does not mean La Troupe remained unchanged. Collections, proportions, materials and channels evolved. What remained visible was textile work in the way external publications explained the brand.

From archive to the current brand

Today La Troupe develops this dimension through Savoir-Faire, the Journal and product pages that document specific materials and techniques. The objective is to avoid generalization: each piece should explain which part of its value comes from material, construction, embroidery, weaving or process.

Why we link the original source

A press archive should not appropriate the authority of the publication that made the mention. This Journal preserves context and always points back to the original article so readers can verify its date and wording.

Press is most useful when it works as verifiable evidence, not as a wall of logos without context.

Original source

Revista Central

Continue Exploring

Made by Hand in Mexico · Our story · Press archive